Sunday, February 12, 2012
Monday, January 23, 2012
ALL-ROUND JUSTICE: The Call of the Master
Saturday, December 31, 2011
Year 2011: The 150th birth anniversary of Brahmabandhab Upadhyay
Here's a small extract about him from his biography:
It is not well known that it was Brahmabandhab Updhayay who helped propel Rabindranath Tagore to fame. Upadhyay first publicly noticed Tagore in a serious way in an article entitled 'The world poet of Bengal' in the weekly Sophia (September 1, 1900). With uncanny prescience he wrote:
'Rabindra is not only a poet of nature and love but he is a witness to the unseen. Revelation apart, Kant, Tennyson and Newman are considered to be three modern witnesses to the invisible world. Poor Bengal has produced another and it is Rabindra Nath.... If ever the Bengali language is studied by foreigners it will be for the sake of Rabindra. He is a world-poet.... He will be ranked amongst those seers who have come to know the essence of beauty through pain and anguish.
(Julius J. Lipner, Brahmabandhab Upadhyay: The Life and Thought of a Revolutionary, OUP, 2001, p. 281)
Lipner calls him a "forgotten colossus" and suggests that we need a more psychological-oriented biography of the man. Perhaps someone should write a novel.
Monday, November 28, 2011
No Turning Back (My memories of Rev. C. M. Khanna)
Thursday, November 24, 2011
… And they killed their merit
(I was reminded of this story I did for FORWARD Press magazine when today few friends on FB drew attention towards this news item: Exams where caste stigma has no answer. )
Wednesday, November 09, 2011
Decapitating Democracy
Monday, November 07, 2011
Cruelty will come like culture, warns the artist
Sunday, July 24, 2005
AN actor must not be confined to drama alone. Acting is not synonymous with performance; poetry is acting; conversation is acting.
On Saturday evening, theatre personality Ram Gopal Bajaj demonstrated what acting means when liberated from the confines of an auditorium. Sitting atop a table, and not behind it, Bajaj read poems and spoke to a spellbound audience.
In a meet-the-artiste evening organised by the Chandigarh Sangeet Natak Akademy, Bajaj drew the attention of the audience to the fact that in the last fifty years the "mood" of the society has become more aggressive, pernicious and violent. This he ascribed to a complete overlooking of foundational matters of culture and education. Identifying with each other is exactly what is missing from our degenerating culture, Bajaj said.
Theatre, he said, has not become part of our primary education system like other arts namely, painting, musicand dance.
When someone from the audience asked him about the future of theatre, he said without mincing words, "I am horrified when I see the symptoms of decay."
With the maddening increase in the city's population how many cultural centres, had come up, especially for children, he asked. Interspersing his talk and audiences' questions with poems of eminent Hindi writers like Kumar Ambuj, Kunwar Narayan and Ajneya, Bajaj lauded poetry for engaging with culture in a critical manner, a point that theatre misses out.
He said while the theatre doyen Alkazi had shaped his dramatic skills, it was Ajneya who shaped his sanskaras and his ethical notions.
By the time the evening ended with Ajneya's poem "Ghar", the soft spoken thespian had made one thing strikingly clear - In a shrinking cultural space, acting is the only way to survive.
(http://cities.expressindia.com/fullstory.php?newsid=140698)
Thursday, November 03, 2011
About love, Among Other Things
Estranged spouses can become exasperating habits. Easy to pick in the days of youth. Hard to leave as you grow old. Divorce, then, is just a sorry reprieve. Raell Padamsee's play Anything but Love which opened to a full house at Tagore theatre today grapples with this theme in a comic yet forceful tone. Directed by Vikranth Pawar, the play revolves around two characters Seema and Anish, played by Mandira Bedi and Samir Soni, respectively.
The play begins with the chance meeting of the two in a restaurant. Divorced for five years, they can't wait to put the other one down. What follows is a hilarious exchange of whipping wit, immediately hooking the audience, and they are seldom let off.
After the initial fusillade of sexual insults and indefatigable repartee, the play lays bare the complex lives of the two characters, still retaining its risible flavour. Having divorced Anish, Seema, a one-time feminist, marries a younger man. Anish, a bisexual, absent-minded physics professor carries on his flings with, what Seema calls, "overgrown" schoolgirls. Even after five years of water gone under the bridge, both feel jealous and threatened by the presence of another lover in the former spouse's life. The jealousy is countered by an attempt to reclaim the old state. Guess what! They end up in bed again. Undergoing therapy with impossible shrinks, they realise that they are each other's best support.
Legally married to someone else Seema decides to go back to Anish. And then things go bad, again, and she moves out again only to bump into him in a restaurant again. That's where the curtain falls.
The play looks at the woman's fear of growing old and the man's dread of impotence. Samir Soni was flamboyant as a nutty professor. His timing and control was admirable. The quirks and whims of married individuals were brilliantly portrayed by both the actors who shared a great chemistry and acted out the characters as well as the relationship with impeccable empathy.
Once in the play Anish says that choosing whom to marry is like selecting a mobile phone service. You never know the hidden costs until later. But probably a better metaphor, taken from the play itself, is that of the crossword puzzle. It's all about helping each other with the clues to get it right.
(http://cities.expressindia.com/fullstory.php?newsid=129363)
This Tendulkar Is Never Out of Form
When it comes to exploring the elemental violence inherent in human relations or delineating the hope that springs eternal, few come close to the master playwright Vijay Tendulkar.
Baby, a play written by this award-winning dramatist and staged in Tagore Theatre today, projects the life of its protagonist with supreme empathy and piercing insight. Despite its agonising length and a delayed start, the play maintained a firm grip on the audience. Such is the power that the original master blaster of Indian Theatre wields.
Directed by Rajinder Sharma of Art and Act Academy, the play tells the story of a young woman ravished and resuscitated by the same man. It begins with arrival of Baby’s brother Raghav, who has spent a year and a half in a lunatic asylum. Because he tried to save his sister from the local goon Shivappa, he was falsely declared insane.
He comes back only to find out that his sister has started living with the same man as his mistress who is responsible for their miseries. ‘‘Such is life, Raghav,’’ Baby tells her brother. Shivappa kept her, got her a job as an extra and provided her with lodging when everyone else turned on her. The play explores the entanglement of cruelty and mercy that mark human relationships and celebrates the hope that keeps the world going.
The knock-down script was executed with élan by the able caste. As their director calls them, the ‘‘amateur yet seasoned’’ actors gave scintillating performances. Gaurav Sharma as Raghav, a terrified, broken man was brilliant and so was Sachin Sharma who played Shivappa, the sadistic ruffian. Yogesh Arora as a struggling bisexual assistant director provided much needed comic relief. It goes to his credit that the Karve never became a caricature.
Alongside these confirmed histrionics, Anmol Bharati in the role of Baby made her debut. A promising talent, her hard work was evident. Lights for the play were handled by Parveen Jaggi, who in spite of the limited lights available in the theatre was able to create an ambiance.
(Review originally published in Indian Express: http://www.expressindia.com/news/fullstory.php?newsid=47953)
Saturday, October 15, 2011
Cherchez La Femme, Looking for Annie Mascarene
Yesterday afternoon after I had finally submitted the forms for registering the names of both my children at the registrar’s office in Sector 17, I decided to take a quick tour of the National Gallery of Portraits in the basement of the Central State Library Building, which fell between the registrar’s office and the parking lot and to which I thought I would bring the juniors when they are ready to start reading while standing on their own feet.
One of three such galleries in India (besides Delhi and Kolkata), Chandigarh’s National Gallery of Portraits houses some fine exhibits, portraits, busts of nationalist leaders and recordings pertaining to the “national freedom struggle” from 1857 to 1947. One thing I particularly liked was that unlike most Indian museums, this one allows you to click photographs. Alas, I wasn’t carrying a camera.
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| Crown presented to Ajit Singh by Tilak |
Together it all presented an impressively comprehensive assemblage of that heady 90-year period. It was a national conglomerate indeed. The Bengalis, the Punjabis, the Tamilians, the Manipuris, the Biharis, the UP-ites were all there. I don’t think I saw many from the “Dalit” backgrounds, though Ambedkar’s portrait hung there and there was one panel dedicated to Birsa Munda, the Adivasi. Hindus, Muslims, Sikhs, Parsis were all present but hardly a Christian till I saw this European name. Yes, of course, I had come across Womesh Chandra Bonnerjee’s image next to A. O. Hume’s on the panel that showed the genesis of the Congress Party, but as far as I know, there’s nothing that distinguishes him as a Christian. Ambedkar in his speech/book, The Annihilation of Caste, names him as one responsible for forestalling social reform in favour of the so-called political reform in the 1892 Allahabad Session of the Congress. Bonnerjee, one can argue, acted in the interest of his class/caste background and not true justice.
| WANTED Information about Annie |
Annie Mascarene could turn out to be like W. C. Bonnerjee, a keeper of the brahmanical order but she may also be a real harbinger of socio-political transformation of her state. There wasn’t any note on her on that panel. So I decided to search for her on the Internet once I got back home. Who knows she may turn out like Rajkumari Amrit Kaur? Though it was pretty clear that unlike that Kapurthala princess, she was not from the royal family. But like her she was a Christian woman.
While the princes, and princesses, in principle and practice were against the national freedom struggle and the Indian National Congress, Rajkumari or Bibi Amrit Kaur threw her lot with Gandhi and his Congress. She had always been the most-independent minded among the men and women of the royalty in Kapurthala. Javier Moro notes:
“Bibi enjoys enviable freedom in an atmosphere where it is practically impossible to obtain. That is why the women in the zenana look at her with suspicion, although deep down they admire her … She smokes, using a long black silver cigarette holder. The other women excuse her because she is a Christian. They consider her as half-white, as though she came from another planet … Her father has the reputation of being ‘a pious Christian’, and a man committed to the idea of an independent India. … She has come back from England with her mind full of discontent, and a desire to change the age-old mentality of her country.”
She gave it a shot by joining Indian National Congress and held the post of Indian first health minister.
But what about Annie?
To start with, there’s no Wikipedia page on her in English! There’s one in Italian though that Google translated for me making all the pronouns referring to her masculine. It said that she was born in 1902 in “a bourgeois family Catholic in the then kingdom of Travancore” (present-day Kerala), became politically active in 1935, joined the Congress and was part of the Quit India Movement but left the Congress after Independence, in 1950, “Because of his character is frank and direct often brought into conflict with their party leaders”. She fought the first general election in 1951–52 as an independent and won. Interestingly, in that election, out of the 20 independent candidates who fought against INC and RSP (Revolutionary Socialist Party) in Travancore, only three managed to win and she was the only independent woman candidate to run (Source: IBNPolitics.com). She gave up political career in 1957. She died on 19 July 1963.
Information on her is hard to come by, on the Internet at least. A search result points to a Rediff page but that is curiously all blank. Then there is Web site streeshakti.com that has small box of information on her but since the information is far too little, it has repeated a paragraph. But still some additional pieces of information: one, she was born on 26 May; two, her father was a “low-paid government servant” by the name Gabriel Mascarene; three, by 1925 she had done double MA, in economics and in history; four, she taught in Ceylon (Sri Lanka); five, she came back to India three years later and got herself an LLB degree (must be about 1930). And going back to that Italian Wikipedia article, she became politically active in another five years.
Another piece of information about her is found on the government Web site of Gandhi’s works. There is a strongly worded letter written by “BAPU” on October 28, 1945, from Nature Cure Clinic in Puna, to “DEAR MASCARENE” in which he is nearly reprimanding her for dragging his illiterate sister and barely literate niece in an apparent “controversy” on the question of primary education in Travancore and making “them repeat things parrot-like, leading the public to believe that some good work has been done”. He wanted to hear her version of the story. It would’ve been nice to get that. I hope I can lay my hands on her response and much else.
Friday, October 14, 2011
Truth Is Our Only Defense. But What Is It?
Sunday, July 03, 2011
Alternative Insurance Plan for NREGA?
Wednesday, March 09, 2011
In Laboratory of Emotions
Scientist-cum-poet Laltu rhymes it for the common man
It was, but natural, for him to turn to poetry one day. “Every Banglaspeaking has to write a poem once in life,“ says Calcutta-born poet Dr Harjinder Singh. He was in City to attend a discussion on his poetry, organised by Sahit Chintan on Sunday.Laltu, as he is fondly known among friends and acquaintances, earlier taught Chemistry at Panjab University and is at present teaching at the International Institute of Information Technology in Hyderabad.
Poetry, says Laltu, is an important part of Bangla culture. He, whose thoughts first found the shape of poetry in high school, has come out with a third collection of his poems, Log Hi Chunenge Rang. “They are about our times, issues concerning us, on my understanding of women,“ he says of the anthology. “They are about as I see things, and poetry has to say what the poet feels,“ he adds.
Laltu's creative instincts aren't just limited to poetry, there's story writing, translations and yes, his famous blog – Aayeeae haath uthayein hum bhi. The blog is replete with musings, published poetry and issues of concern, from Binayak Sen to his latest post on death penalty, which he says is against his principles. When Laltu began blogging, way back in November 2004, not many people were using the medium. For Laltu, it was filling the gaps between poetry and story writing, things that did not have a platform to be said. “It was for things we can't say and don't say,“ he says. Discussing Laltu Renowned literary critic Manager Pandey spoke on Laltu's poetry and short stories at the discussion organised by Sahit Chintan at Pracheen Kala Kendra, Sector 35, on Sunday. He said, “Laltu's poem reflect urge for democracy, honesty and open commitment for the downtrodden.“ This was followed by a question-answer session, in which academicians NK Oberoi, Akshay Kumar, Prem Singh, Manjit Singh and theatreperson Shabdeesh participated. Earlier, Satyapal Sehgal, professor of Hindi at PU, introduced Manager Pandey and Laltu.
(Story by Sarika Sharma that appeared today in Hindustan Times' HT City, Chandigarh)
Saturday, January 01, 2011
The Meaning of Celebrating Christmas
He grew up before him [God] like a tender shoot, and like a root out of dry ground. He had no beauty or majesty to attract us to him, nothing in his appearance that we should desire him. He was despised and rejected by men, a man of sorrows, and familiar with suffering. Like one from whom men hide their faces he was despised, and we esteemed him not. Surely he took up our infirmities and carried our sorrows, yet we considered him stricken by God, smitten by him, and afflicted. But he was pierced for our transgressions, he was crushed for our iniquities; the punishment that brought us peace was upon him, and by his wounds we are healed…. He was oppressed and afflicted, yet he did not open his mouth…. He bore the sin of many, and made intercession for the transgressors. (Isaiah 53: 2-12, The Bible)
Monday, November 15, 2010
Wednesday, October 27, 2010
O Korea Re...
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| Korean sitcoms are a hit in Manipur |
We, the FORWARD Press magazine, have just gone to press with our November issue and in it we are carrying an article by Vishal Mangalwadi titled "Moving Forward: Korean Style". It is a short study of a village called Yong Am in South Korea and the spiritual-cultural forces that transformed this impoverished village "hidden in a mountain and covered by snow for more than three months in a year" into one of the richest rural communities where the average annual income of a small farmer is Rs 28 lakh! This Korea story also has an India connection, the people (and the NGO) that brought about this transformation in Yong Am, and many a Korean wasteland, are helping the people in Bihar improve their farming.
When it comes to Asia, people world over are talking about China and India, but Korea might be the dark horse that will perhaps lead the way in this part of the world. The former two countries have the size and political clout. Korea seems to have the confidence and capability to more than compensate for these pluses its two continental cousins have.
And yes, Korea has been inspiring talented Indian musicians too. Take a look at this song.
Sunday, October 10, 2010
Ten. X. 10
I could not cook up something as original or delicious as this. But at the back of my mind were some verses by Nissim Ezekiel. He wrote 14 short "blessings" that I wanted this growing boy now living in England to read.
One my most favourites from among the 14 is this one:
Sunday, October 03, 2010
Some Post-seminar Thoughts
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| The magnificent IIAS at Shimla. |
The second comment was in some ways related to the one above. In the evening as we were winding up the seminar, participants and observers began sharing their thoughts. Professor GS said one thing very categorically — along with theoretical work our researches should be based on empirical data. And, for me what was more important, was his later assertion that this balance, or amalgamation, of theory and factual data is what will lead to "social transformation". All fields of knowledge – natural sciences, social sciences, and arts and humanities – must be geared towards this. Not many people want to use this term social transformation. For that one has to make value judgements, seek fundamental changes and propose radical alternatives, and our current academic stances are ill equipped for this. And thus if our academic discussions only result in audience yawning should we not become suspect of our "scholarly" enterprises?
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| A South Asian Taxi Driver in New York |
(Photos: http://www.travelpod.com/travel-blog-entries/malariamonday/1/1277062587/tpod.html; http://thefacesisee.blogspot.com/2009/05/may-26-43rd-street-new-york-ny-usa.html)
Wednesday, April 28, 2010
Right to Education and the Privilege to Ignore!
Yet the underdevelopment of Indian school systems, especially in socially backward regions of the country and particularly among disadvantaged groups, has been equally extraordinary. This is both deeply inefficient and amazingly unjust. The smart boy or clever girl who is deprived of the opportunity of schooling, or who goes to a school with dismal facilities (not to mention the high incidence of absentee teachers), not only loses the opportunities he or she could have had, but also adds to the massive waste of talent that is a characteristic of the life of our country. If we have not yet been able to seize the economic opportunities for the manufacture of simple products in a way that has happened in Japan, Korea, China and other countries in east Asia, not to mention the West, India's remarkable neglect of basic education has a decisive role in this handicap. (emphases added, excerpt from The Argumentative Indian: Writings on Indian History, Culture and Identity, New Delhi, Penguin/Allen Lane, 2005, p. 344.)
Thursday, March 25, 2010
Ram Manohar Lohia's 100th Birthday
One of my colleagues had his birthday on 23 March. I walked up to him as soon as he came in and wished him a Happy Birthday. As I shook his hand, I said to him, 'Do you know you share your birthday with...' Before I could finish, he quipped, 'Yes, the martyrdom of Baghat Singh and ...' 'No, no, I am talking about Ram Manohar Lohia.' And as I said this, another colleague, who loves a friendly bantering said, 'No wonder, there is something of Amar Singh in the birthday boy..." And we had a a little laugh about it.
This two-minute episode is quite instructive of our political sensibilities at this point of time. Politics for us is either a dead ideal or a living, though sick, cunning. In the middle of these two perceptions, the insights are lost. In contemporary Punjabi folklore Bhagat Singh is an icon of Sikh and not just Marxist pride. There are movies about Bhagat Singh, one of them has 23 March 1931 as part of the title. This has kept his memory alive. The other figure, that of Amar Singh, is as theatrical as any Bollywood film. He epitomises, in public eye, political opportunism at its worst and to the critics, this is what ultimately happens to the political heirs of Lohiaism.
But I want to know the man first hand. I have recently been reading about Ram Manohar Lohia. The trouble is that his books are just not available out there. So I've taken printouts of his few writings, which are scattered on various blogs, and read them off and on. On the 23rd, it was his birth centenary. It is generally a big deal when a political leader of such stature complete 100 years. But apart from one article in Deccan Herald and a report of a seminar in Goa there wasn't much that was available to me online on that day. I picked up a copy of the Hindu to see if there's any editorial or op-ed. Zilch.
I am not a socialist. But to me it was a bit sad to see this amnesia about an important person in our recent history. So I wrote a quick piece for the Herald of India, which the editor was very kind to publish and give a headline too.
One reader responded to the write-up with a very interesting anecdote.
The timely and informative piece, 'Deafening silence on Lohia', took me back to mid- sixties when I heard Lohia for the first time at an open rally in Chandigarh's Sector 15. It still is etched on my mind how he attributed most of our failures to our inherent indecisiveness. I remember even the fine example he gave to prove his point. On visiting a friend, if he offers us a choice between having tea and coffee we fail even to tell him our personal preference or choice. "Kuch bhi chaleyga", Lohia rightly lamented the attitude. He continued by lampooning Lal Bhadur Shastri, the then PM, saying that he too remains indecisive on many issues and he often sees two instead of one face of Shastri in Parliament, yeh bhi theek hai, woh bhi theek hai. -Balvinder
I love such personal memories and anecdotes but this was a particularly intriguing comment because I lived in Sector 15 of Chandigarh for most part of my life. That little connection warmed me up.
Later that day, I got to read the news that Kanu Sanyal committed suicide by hanging himself. Did somebody notice that he chose 23 March as the day of his death? And also, that three other revolutionaries died that way in 1931. Here are a few of links of some remembrances. Rediff, Times of India, DNA, The Hindu.













