Thursday, December 31, 2009
My New Year's Eve Meditation
Friday, December 25, 2009
Christmas emotions!
Thursday, December 17, 2009
Indian Christianity on a furlough
THE WEEK, one of
Christianity claims to have been around in India for over two millennia, but it seems it took a break for entire last year; perhaps it was too nervous about Madam Sonia Gandhi's Catholic connection resurfacing in the election year, or perhaps too shocked since killings in Kandhamal last August.
Had Mother Teresa been alive, she probably would have made it to the list, if nothing else then perhaps just for the sense of balance, religious as well as that of gender. There are three women as compared to 22 men in that list. And though T.N. Seshan believes Mata Amritanandmayi is a great soul too, he chose to pen the paean for Sri Sri Ravi Shankar, whose educational work in rural areas he highly appreciates and whose Sudarshan Kriya keeps the 76-year-old former Chief Election Commissioner 'energetic'.
For far too long, the Nobel Peace Prize winner, the Blessed Teresa of Calcutta, had been a sole representative of the Christians, for the Roman Catholics as well as non-Catholics, and definitely within the media. I remember, once a friend wanted to work on a documentary about the nurses in India, and he asked a reputed Indian journalist, a liberal Muslim, for some clips he had, which my friend thought he could use. Apparently the journalist replied that if it were something involving Mother Teresa, he would have given it but not now!
One of our most celebrated artists, M.F. Husain, paid glittering tributes to the diminutive frail nun from Albania by painting her as Mother Mary nursing the bruised body of the crucified Christ, a symbol of the sick and the poor dying uncared for on the streets of India. On the flip side that also means legitimising only one aspect of Christian faith.
Christianity in
And today when we celebrate the anniversary of our
In the year 1971, when the nation was still in its 20s, Nayantara Sahgal published her, if I remember correct, sixth novel, The Day in Shadow. The novel was inspired by real events in the author's life and like her other novels, this one too is imbued with her concern for emergence of a more humane India, which is fast sinking into a stupor generated by corruption in high places, petty politics and cruelty in human relationships. The reason I am reminded of this novel is because it is one of those rare ones where you find a 'Christian' character unbound by stereotypes. Raj Edwin Garg, who though doesn't share his father's religious convictions, brings Christian values, and occasionally Christian 'language', into public discourse. He is a 'brilliant, rising Member of Parliament', an independent, who seeks to find ways to propel the country out of the impasse between the 'Reds' and the 'reactionaries.'
He often enters into a good-humoured banter with his mentor, and father's friend, Rama Krishna, who in the last pages of this open-ended novel seems to have come terribly close to resolving the conflict between Hinduism and Christianity and finding a way to harness the energies of these two mighty streams of spiritual energy for the regeneration of the nation. Even though a work of fiction, this novel testifies to a time and occasion, or at least a possibility, when Christian thought was neither considered alien, nor marginalised, nor a minority view in relation to the so-called mainstream. Most importantly, it wasn't a dialogue between a Western Christian and an Indian Hindu. Here you have Indians on both sides examining the problems from two different angles and towards the end more sympathetic to the other view.
After all, the object of their concern was the same. Just as a note for those who think that the depiction of Christians in novels is not really a matter of particular concern and this novel by Sahgal is not a special achievement, one only needs to look at some of the recent novels, for instance, Tarun Tejpal's The Alchemy of Desire, where the only achievement of one Christian character is the number of bottles of whisky he has piled up in his backyard, or one can look at M.G. Vassanji's The Assassin's Song, in which the blind drunk presbyter of the Shimla church, tumbles into the protagonist's room, and has to be escorted home by his son. That is indeed the image of a Christian in many a mind, a jolly good fellow fully committed to having a good time till the Second Coming, untroubled and unmindful of any such list.
As for Ashis Nandy, the only hardcore academician in that list, he will agree that my observation, which set me off, is not that flimsy. Ashis Nandy comes from an elite Bengali Christian family; he really makes it look that he has come out of it.
Tuesday, December 15, 2009
Nothing sentimental about college education
Sunday, December 06, 2009
Sunday that Splintered Humanity
(The article originally written for The Herald of India, published as Black Sunday)
In 1992, just like this year, 6 December was a Sunday. We got up early morning to claim a cricket pitch before some rival teams came and denied us the chance to have a game on a much-awaited weekly holiday. We won the spot but I think we lost the match; and, when we got back home in the evening we heard the news that Babri Mosque has been pulled down. The news did not have much meaning for me. I was neither a Hindu nor a Muslim and lived in a largely non-politicized city. There weren’t any Muslims among our playmates and, as hindsight, we were saved the exchange of uncomfortable glances. Most guys I played with were Hindus and Sikhs but they seemed not too interested in this news item either. Those were the days when Sikh terrorism was still palpable in our parts; Hindu–Muslim conflict belonged to the Partition era. In any case, all of us teenagers loved our cricket more than anything else and were more interested in
Meanwhile, the reports of Babri demolition and subsequent analyses were multiplying every single day. For a brief moment, next day, I listened to a panel discussion on the same. What caught my attention was what one panelist said. If my memory serves me correct, he very categorically declaimed that that event had disconcerted each and every Muslim in this country; how else could one explain Azhar grassing those straightforward chances. Is this true? Or is it just a fantastic conjecturing—I asked myself but could not decide. This was something far more disturbing than
As a child, after Indira Gandhi’s assassination, I had learnt to neatly divide humanity in three—Christians, Sikhs and Hindus. After Post-Mandal agitation, as a pre-teen, I became aware of another set of categories to divide my friends and acquaintances—General, SC and OBC. While I was knocking at the gates of adulthood, in December 1992, humanity further splintered.
These divisions were real as I once found a younger man explaining to me the difference between Hindus and Muslims. We are so different—he said to me—We worship full moon and they worship new moon; we pray with our palms joined together but they keep them apart; we pay obeisance to the rising sun looking east, they turn towards west to pray.
Surface differences like these became creeds of separate nationalities.
Those who wanted to begin a movement of one people only gave birth to unbridgeable differences between one individual and the other. Those who thought they had won that spot in Ayodhya on Sunday, 6 December 1992, lost their souls bit by bit, category by category.
Wednesday, November 25, 2009
The house I left behind
Friday, November 06, 2009
My Orkut "Today's Fortune"
Watch what you say — of those who say nothing, few are silent
- I miss orkut :(
- Couldn't agree more. Thanks for sending it my way. Here is something similar: Imagination is the reality waiting to be created. Or, Imagination is reality-in-waiting.
- Fabulous quote. True and liberating.
The best way to predict the future is to invent it.
Wednesday, November 04, 2009
First blogger's park
Thursday, October 29, 2009
Dirty education!
Sunday, June 14, 2009
Before I lose more
I thought I lost my pen
But what I lost were
My thoughts
A 24-hour journey from Delhi to
Goa was spent
Playing cross and noughts
Without the pen, of course
The mind was at work
Though it couldn't quite work out
The whole point of journeys
Of life, the mystery of
Lost clout
A pointless discourse
Many things were going on
Were all put on hold
One thing went on unstoppable
You see, couldn't help growing old
Nothing else got worse.
— 9 April 2009, Cidade De Goa, Goa
Sunday, May 31, 2009
The Good, the Bad and the Ugly of Elections 2009 – II
But family-dominated politics is a closed shop. Entry is open only to those with the right credentials of birth. Outsiders are banned from entering. And slowly but surely, true democracy is replaced by a kind of feudalism in which the peasants are given the right to choose between various aristocrats. The peasants can never enter the ruling class because the wrong blood flows in their veins.
Good and bad are in front of us. Intertwined. Can we begin a process of untangling the two? Sanghvi pins his hope on the "dynast" to free politics from the clutches of "dynastyism". But shouldn't the reviver search for talent beyond the obvious quarters. Maybe he is doing his best. But maybe the aam aadmi shoudl do his bit. Perhaps there is a way the youth of this country can serve in politics despite the lack of the dynastic patronage. That will be good indeed.
Thursday, May 14, 2009
The Good, the Bad and the Ugly of Elections 2009 — I
It's too late
Little black drops can be seen from afar
Sitting in the bus we overlook them
Assured no matter how difficult the journey may be
In the end each one will get back home
The cold that freezes on the windowpanes
Pushes us close together
We don't know that what rains out there
Is clotted blood; even the blood of the real
That burns
And we still smell it in coals of memory
No longer startles us
Suddenly the bus turns on a bend
And with a start we wake up
The sound must be of the clouds
We think and our bus
Plunges in chemical smoke
It's too late
By the time we see
Gujarat
Written on each other's faces.
© Laltu
Monday, May 11, 2009
Key to the Deadlock
The world turns and the world changes,
But one thing does not change.
In all of my years, one thing does not change,
However you disguise it, this thing does not change:
The perpetual struggle of Good and Evil
There is a fight of principles. Each has a bag of good and evil mixed, out of which they hurl the sin-stained clusters of their innocence on the other. A lot is happening in Nepal, Pakistan, the general election in India too and far off three ladies (four, if you count his mother, or some failed love affair) have pushed the success of one man in South Africa. But is there a breakthrough in sight? There is a seeming movement though. People are wanting to get married. Houses are being bought. A friend is graduating in the USA. Another one is going for poetry reading in Europe, despite the fact that poetry makes nothing happen. Now the latter phrase is W.H. Auden's who was a 'committed' poet himself and wrote that line to commemorate another 'committed' poet (W.B. Yeats). Poetry does not break the deadlock. Poetry, in fact, is the mainstay of any deadlock, promising deliverance, yet not delivering on the promise. It is the opium of the aesthete. It gives hope. It defers the fruit of that hope. Yet in this janus-faced relationship with deadlock and hope, poetry performs a useful function. It helps survive in the deadlock, in the eye of the storm. Auden comes to mind again as in his "Musée des Beaux Arts", he highlights the co-existence of suffering and indifference, the deadlock of apathy and tragedy. This record, this recognition compels endurance, the grandest virtue for this age. There are few things possible, perhaps, only in poetry.
can/may
Always, of course
One chooses: the eternal
Curse of the blessing of free will.
One may praise
If one wants to,
Though
One may not die
If one wants to
One always can
But not always may
© Joel V David
Tuesday, February 17, 2009
A poet and a friend
One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time. — Wallace Stevens
I am not a poet. And, if one agrees with a poet's function as Stevens puts it, I am certainly not one. But then recently I have this urge to engage with poetry. Not read poetry but engage with it and of course that includes reading of poems. I wonder what is behind this urge. Perhaps it is a thought of a poet friend who has long left writing poetry and who now is moving out of this city. But as he shifts base, I sense the poet returning, or rather reawakening, in him. He feels it too and the other day we did talk, perhaps for the first time in thirteen years, at some length about his poetic self. And that poetic self is perhaps—I have my fingers crossed—becoming prominent once more. He is non-commital about being a writer of poems again. Even if it is so, I suspect that there will be a dash of the poetic in most things he does. Joel David published his first collection of poems, The Bowl of Silence, with the Writers Workshop in 1991. It is a slender volume of nineteen poems. Talking to him I realize how seriously he once persued the art and craft of poetry. He is an image of the poet Stevens had in his mind when he wrote that sentence quoted in the beginning. Stevens, as a matter of fact, is (was?)one of Joel's favourite poets. As an undergraduate commerce student in Baring Union Christian College, Batala, Punjab, Joel once gave a three-hour long lecture on poetry of Wallace Stevens to the postgraduate students of literature. In the recent conversation I had with him he spoke enthusiastically about his keen interest in the technique of poem and how he thought that one poem creates its own world beyond all theories about what poetry is. He is not preoccupied with that at the moment. But there's something else poets need. To be in touch with their inner selves. And Joel is lingering there. In solitude. That's the beginning of poetry anyway. The first poem in his collection gives the anthology its title and goes like this:
THE BOWL OF SILENCE
Where is the bowl of silence now
the one we dipped into so often, and emerged
with a sudden face brought up, upturned and lit,
speaking new words, words spoken, spent and born again:
food and drink you know not of.
When we but lisped, did we say and did we hear,
did voices come to us from flaming bushes?
Or, caught in the rush of words, did our stumbling tongues
pick and choose wrong ropes and tangles: did we know
food and drink the world knows not of?
To be born and be moulded—did we ask
for crafted lives, manufactured ideals—were we cast
in bronze—did we search our minds, sound our depths?
Now, floundering, blind in the floodlit blaze, do we eat
food and drink we know not of?
What of our souls, when in the troubled midnight watch
something rises like mist, clings and softly curls?
Invisible, barely felt, the hand of someone touches me.
Who comes? A gentle spirit longing for home, bringing
food and drink I know not of?
© Joel V. David